Author: James Theopistos

Giclee printing is a digital printing method so the quality of the resulting print depends on the quality of the image being provided to print. This is because giclee printing is utilizing similar technology you would probably use to print a photograph at home.

Just a couple years ago the production manager at FinerWorks surprised me with what she was able to do with a canvas print which had accidentally been scratched. A customer had ordered a large stretched canvas print of a wedding photo.

You will want to share this with any photographers or artists you know. Beware of those Groupon, Amazon or other canvas print specials by e-mail. Not that all are bad but with canvas prints, many times you get what you pay for.

Are the fine art prints we produce as giclee prints archival? And if so, what makes them archival? This is a frequent inquiry people have. The loose answer would be yes, but with the understanding that paper brands occasionally take liberties with the word Archival, sometimes referring to Conservation Grade papers as Archival.

This is the first in what we hope to be an educational series called Lobby Talk, where we try to provide illustrations and screen casts to get the best quality prints possible.

This video is a great resource for those that want to see what goes into producing optimal prints for selling and display. It is a little long but quite comprehensive.

Lately we have been making an effort to offer people our own professional opinions on what is a good paper type to choose for their image.

We tend to spend a lot of time on color and the importance of proper color management. This should not be ignored when it comes to printing one’s artwork or photography. But we sometimes gloss over the topic of “focus” and clarity.