We have been producing wood prints for a while now. We recently made some changes to a maple wood veneer panel. The new prints allow us to produce a superior quality product which is more durable and has greater image saturation and detail. Our natural wood maple panels, are ready to display. The back of the panels includes a pre-cut keyhole, so it will hang flush on any wall.
At a little more than ½” thick these panels are an ideal choice for many applications and settings without the need to be framed. The refined natural wood sides give it that finished look you require. With wood prints your image is sublimated / fused directly onto the surface. It allows for incredible detail to show while also having the wood grain look required. The surface can be dusted or even cleaned with a soft damp rag without danger of scratching or harming the image. But even with these improvements some of the same practices apply to produce the best wood print possible.
A this time we have about 8 very popular sizes. These range from 5×7 which are perfect for a table top display to 30×40 which is ideal over any large wall space. You can see and order these at the following link:
So, how do you know if your image will look good on wood or not? All the images we initially tested and made into our new wood prints have looked fantastic! But we have seen some images really stand out above others. It has nothing to do with the image quality of the artwork or the photography. It has to do with the tones in the image. Fortunately we have invested a lot of time in testing the process which allows me to share with you what we have learned. If that is not enough, our print setup tool attempts to simulate a wood print before you order it so you can get a bit of a preview to help you decide.
Let’s first look at what really helps a photograph or artwork take advantage of the wood textures and grains that you want to show in your wood print. Images with a lot of whites or lighter colors will work best if your desire is to show the wood pattern. Images where you have darker tones may start to cover up the natural wood texture so if it it has black or really dark colors, you may not see the wood pattern very well.
The reason lighter colors show the wood pattern better is because the way printers work. With some exceptions, most printers don’t print with white ink. At least this is the case in the photo and art printing world. Rather than printing white, these printers rely on the whiteness of the paper the image is being printed on. A classic example is when you print a gray-scale image such as black and white photograph. With that black and white you can sometimes get a warmer tone to the print on certain papers over others if the paper you are making your print on is too off-white. First you won’t have any pure whites because the wood is not white. But this is what we want to make a wood print in the first place. We want the the hue of the underling wood with the natural wood pattern to be visible to some extent. Keep this fact about whites in mind with wood prints. Even though we are not printing direct to wood but instead sublimating and image to it via heat and pressure, any whites in the image don’t transfer.
As previously mentioned, where you loose the ability to show some of this potential wood hue and natural wood pattern is with an image that may have a lot of dark colors. For instance, when we were first testing the development of wood prints, we produced a number of test prints using various imagery from our stock imagery and staff created collections. It allowed us to see how different types of images would look. One particular image was an abstract art piece. The tones tended toward either deep red, browns and blacks with a few hi-lights in yellow and white. White the print came out looking really nice it did not really show the underlying wood. Because of that I would have probably been better off just printing it on one of our fine art papers and then mounting it on masonite.
So what kind of images look great on wood? Here are some examples of what I think looks really good:
- Photos and portraits taken with lots of light
- Illustrations or line drawings
- Artwork on pure white backgrounds (my favorite)
- Paintings with bright colors
Photo and portraits taken with lots of light
These give the photo a very vintage look. If this is of interest to you, you will notice the image takes on a somewhat sepia tone. Not completely but just enough of a hint. Because the wood is somewhat yellow in color, you colors are influenced by this yellow tone.
Illustrations or line drawings
These look incredible. It gives the artwork a look as if it was created directly on the wood itself. While making an interesting piece to frame or display, we are already seeing what we suspect are artists intending to simply use these as under paintings which they will later hi-light or paint over with actual paints.
Artwork on pure white backgrounds (my favorite)
Think of say a flower by itself with white in the background. Or a seashell which one customer just did the other day. It looked really incredible. The artwork was centered on the wood print but the white background was not visible. I could see a series of wood prints done displaying various subject matter.
Paintings with bright colors
A good example of on our site is a faerie sitting on a log in a forest. The background sky was a very light shade of color so the natural wood texture coincidentally looked like clouds. Again, you want the wood to show up so if you have too many dark colors, you won’t be able to take advantage of this as intended.
The bottom line is any image can look good on wood but if you want your wood pattern to show up make sure you have images with a good balance of brights, mid-tones and darks. Artworks and photos that best take advantage of the underlying wood patterns will have lots of lighter colors.
Now if this is not enough information for you how about simulating the entire wood print process. It is actually quite easy with a program like Photoshop. We will have to do a video tutorial later on this but for those somewhat versed in Photoshop or Photoshop Elements simply locate or even create a wooden like pattern, complete with a small amount of yellowish hue. Then drag the image you want to print on top. This should create a layer over your wood background. Set this image layer as “multiply” and it will make your lighter tones turn translucent so the wood pattern underneath shows. Use this to get a general idea because each wood panel will be a little different from each other.
A couple things I want to point out to the very color conscientious. Let’s be realistic. If you are after that specific shade of blue, orange or green that you spent hours trying to tweak and get right on your screen, you won’t necessarily get it in a wood print. A wood print is not going to be accurate because the wood being printed on can vary. While we currently only offer birch hardwood, slight variations in it’s natural hue will occur. While I am not an expert, I know this can be attributed to things such as the age of the wood and even where the wood originated. So if you tend to get hung up on colors, don’t with wood prints since you can never predict how the underlying wood will will affect the color. Finally on a similar note, you can’t soft proof a wood print. Soft proofing relies on a white point of the paper or media the image is being printed to. Since we can’t create a color profile with a consistent white point on wood, it is impossible to provide you one.
Hopefully this will give you some insight on wood prints. If you want to test the concept out with your artwork or photography, feel free to start off with something small. I will be surprised if you are disappointed. Be sure to let us know what you think of your wood prints when you get them so we can share your own insights with others.
Wood Prints FAQs
The following type of prints come ready to hang: framed prints, wood prints, acrylic prints, metal prints (with the exception of some styles), stretched and mounted canvas prints and metal prints will arrive ready-to-hang. Some other types of prints may have styles that also allow for them to be ready to hang.
The image is sublimated directly onto the treated surface of the panel using special dye based inks. This makes then smudge proof and not likely to be scratched unless scraped with a hard or sharp object.
This is not recommended. The veneer has a coating which the image has been sublimated to. Some chemicals could potentially harm the surface.
White is not a standard color that is printed. Essentially when an image has pure white, no color is applied to that area. As the colors in an image get darker, more ink is applied. If your image has pure white, it will appear as transparent. That is where the beauty of wood prints come in since your underlying wood pattern becomes more visible the lighter the color.
Softproofing relies on having a consistent white level on the surface of the media the image is being printed to. Since the wood is obviously not white and the hue of the wood can vary slightly dependent upon the age of the veneer, there is no way to profile a wood print.
You should not have do anything other then choose a size that matches as close to your image as possible. Some people will elevate the contrast of an image slightly so that more subtle tones you want to show are not lost to too transparent.